The Painter of Athens 533 is an Athenian black-figure painter active ca. 575-555 BCE. The name derives from a cup found in
Athens (Athens, National Museum 533; BAPD 300611) showing males and animals. Shapes include the cup, lekythos, and Siana cup.
The painter may be the first to decorate the inside tondo of the cup. Subjects are dancers, warriors, and animals. Findspots
include Turkey (Miletus, Pitane, Gordion), Sicily, Marseilles, and Rhitsona.
Paseas (sometimes known as the Cerberus Painter) is an Athenian red-figure vase-painter active ca. 525-510 BCE, who also painted
in black-figure (see Paseas [Black-figure]) and usually painted on white-ground. The name derives from a black-figure pinax
(plaque) dedicated on the Athenian Acropolis (Athens, Akr. National Museum 1.2583; BAPD 301992), inscribed: “one of the paintings
of Paseas.” It belongs to a series of plaques dedicated to Athena that features the goddess. The painter’s red-figure work
consists mostly of cups and plates. Other red-figure shapes are the lekythos and alabastron. Findspots include sites in Etruria
and the Athenian Acropolis.
The Foundry Painter is an Athenian red-figure painter active ca. 480-470 BCE. The name derives from a cup (Berlin, Antikensammlung
F2294; BAPD 204340) showing sculptors on the exterior and Hephaistos and Thetis on the interior (Arming of Achilles). The
cup is the main shape, and other shapes are the oinochoe and skyphos. Subjects include the symposion, athletes, horsemen,
centaurs, Theseus, and the Trojan War. Some findspots are Etruria (Cerveteri, Vulci, Tarquinia, Orvieto, Todi), Adria, sites
in southern Italy, and Tanagra.
The Cage Painter is an Athenian red-figure painter active ca. 490-480 BCE. The name derives from a cup from Orvieto (London,
British Museum 1901.5-14.1; BAPD 203642) showing a boy holding a bird-cage. Shapes are the cup and pyxis. Subjects include
athletes, the symposion, men, and youths. Findspots are Orvieto, Tarquinia, and Chiusi.
The Argos Painter is an Athenian red-figure painter active ca. 480-470 BCE. The name derives from a stamnos from Cerveteri
(Vienna, Kunsthistoriches Museum 3729; BAPD 202608) showing the Death of Argos. Shapes are the pelike and stamnos. Subjects
include Dionysos and followers, Triptolemos and Demeter, centaurs, athletes and musicians, and a man leading a camel. Other
findspots are Veii and Falerii.
The Dutuit Painter is an Athenian red-figure painter active ca. 500-480 BCE. The name denotes the former owner of an oinochoe
from Nola (Paris, Petit Palais 315; BAPD 203153) showing Artemis with a fawn. Shapes are the amphora, oinochoe, lekythos,
and hydria. Scenes include Dionysos and followers, winged goddesses, Herakles, and Hephaistos and Thetis (Arms of Achilles).
Findspots are Vulci, Cerveteri, Nola, Sicily, and Olbia.
The Bonn Painter is an Athenian red-figure painter active ca. 505-480 BCE. The name derives from a cup (Bonn, Akademisches
Kunstmuseum 1644; BAPD 203666) showing centaurs on the exterior and an archer on the interior. The primary shape is the cup.
Subjects include the symposion, warriors, Theseus, hunting, and satyrs. Findspots are Vulci, Taranto, Spina, Orvieto, and
possibly Chiusi.
The Painter of the Louvre F6 is an Athenian black-figure painter active in the mid-6th c. BCE and is classified as a “companion”
to Lydos. The name derives from a hydria (Pairs, Louvre F6; BAPD 300899) showing Dionysos with maenads and satyrs on the shoulder
and a duel on the body. Shapes include the column krater, belly amphora (Type B), and the shouldered hydria. Subjects are
gods, warriors, Herakles, centaurs, Theseus, and athletes. Known findspots are in Greece and Italy, as well as Berezan and
Cyrene.
The Syriskos Painter is an Athenian red-figure painter connected to the Syriskos Group, active ca. 470’s BCE and earlier,
who uses white-ground. The name (meaning “Little Syrian”) derives from the signature as potter (“epoiesen”) on an astragalos
(knucklebone-shaped vase) (Rome, Villa Giulia 866; BAPD 202749), showing Nike, Eros, and a lion. Shapes are the pelike, rhyton
in the shape of a ram’s head, kantharos in the shape of a woman’s head, amphora, krater, alabastron, psykter, hydria, and
lekythos. Subjects include Dionysos and followers, the symposion, warriors, athletes, and Theseus and the Minotaur. Some findspots
are the Athenian Acropolis, Tanagra, sites in Etruria (Vulci, Tarquinia, Cerveteri, Orvieto), southern Italy, Sicily, Naukratis,
and Ampurias (Spain).
The Pasiades Painter is an Athenian red-figure painter active ca. 520-500 BCE, associated with the Group of the Paidikos Alabastra.
The name derives from the potter (“epoiesen”) who signs as Pasiades on several examples. The name Pasiades inscribed as painter
(“egrapsen”) on a white lekythos from the Athenian Agora (Athens, Agora Museum AP 422; BAPD 200898) is not considered to be
the same artist as the Pasiades Painter. Subjects include Penthesilea, women, and maenads. Known findspots are Attica, Delphi,
and Marion (Cyprus).
The Oakeshott Painter is an Athenian black-figure painter of Little Master cups active in the second quarter of the 6th c.
BCE. The name derives from a cup, formerly in the Oakeshott collection (Oxford, Ashmolean Museum 1972.162; BAPD 350750), showing
animals. Shapes are band-cups and some lip-cups. One lip-cup (Boston, Museum of Fine Arts (69.1052; BAPD 210) features figure
decoration on the interior. Subjects are Dionysian, and findspots include Samos, Etruria, and Cyrene.
The Eucharides Painter is an Athenian black-figure painter active ca. 500-470 BCE, who also painted in red-figure (see Eucharides
Painter [Red-figure]). The name derives from the inscription “Eucharides kalos” (“Eucharides is beautiful”) on a red-figure
stamnos (Copenhagen, National Museum 124 BAPD 202230) showing youths, women, and Eros. Shapes are the Panathenaic amphora,
hydria, pelike, and neck amphora. Subjects include music, horse races, warriors, Ajax and Achilles, and daily life. Findspots
are Athens (Acropolis, Agora, Kerameikos), Vulci, Nola, Cumae, Samos, Corinth, Kerch, Locris (Greece), and Al Mina.
